An interview with Kari Goetz, who is preparing to play a talking dog – the lead character in the A.R. Gurney play, Sylvia. By Anna Cooke for The New Barker dog magazine.
Kari Goetz and her husband Crawford Long may just have one of the best love stories ever. It’s kind of a Harry Meets Sally/You’ve Got Mail scenario. After their first meeting at a YMCA Youth Camp in North Carolina as teenagers, the two would spend the next 20 years staying in touch via letters, then email, instant messages, texts and the occasional phone call.
“We grew up with each other,” said Kari, “just not together.”
She pursued an acting career in Los Angeles for five years, going to nerve-wracking auditions. He went on to law school at the University of South Carolina.
Every year, Crawford always sent Kari a New Year’s Eve greeting at midnight. New Year’s Eve 2012, precisely at midnight, Crawford sent Kari his regular greeting, with one new question: Will this be the year we see each other?
Plans were made to finally see each other, face-to-face, after 20 years.
“I’ve never been so nervous in my life,” said Crawford.
“Worse case of stage fright in my life,” added Kari.
Their reunion began with a hug, then a kiss, immediately followed by a year of constant travel between her home in Seminole Heights (Florida) and his in Atlanta. By now, Kari was director of marketing at Tampa International Airport, and getting ready for the 2012 Stageworks production of Sylvia, the A.R. Gurney play. Kari would be playing the lead part of Sylvia, a talking dog. It was the very first time that Crawford had seen Kari perform on stage.
Once Crawford saw Kari’s Sylvia, he was smitten – enamored, in fact. So much so that his friends started calling him Bowser, one of the imaginary dogs that Sylvia “lusts” after in the dog park.
In real life, the two would marry and eventually have a baby, Porter, their son. Fast forward to today, three years later, and Kari will be back on stage, once again playing Sylvia, as Tampa’s Stageworks presents an encore production, August 6 through 30.
Kari has been acting since she was eight years old. She hasn’t been on stage since the last production of Sylvia ran in 2012. “It’s the longest run of me not being on stage ever,” she said. As the cast prepared for the grueling tech rehearsal, or what actors refer to as the 10 out of 12, Kari took a few moments out of her busy schedule to talk with us about theatre, family, work and dogs.
TNB: How does it feel to be back on stage after a three year break?
Kari: I did a lot of wagging on stage as Sylvia three years ago. I am able to wag my butt without any movement going on above my butt. At the time, Crawford noticed that whenever I was happy, offstage, I would start wagging. This is highly inappropriate in many circumstances, of course. We’ve been back in rehearsals, and the other day at work someone brought me some good news while I was standing by my desk. Suddenly, I realized I was wagging my butt. ‘Oh no,’ I thought, ‘it’s back. Sylvia has taken over my body again.”
TNB: How do you find time to juggle an intense career as Director of Marketing for Tampa International Airport, wife, mom and actress?
Kari: I have always had a day job while working as an actress, auditioning for parts, so I’m used to juggling. It takes a lot of balancing. TIA has been super supportive. Also, when I agreed to do Sylvia again this time around, I insisted on an understudy being completely present. Roxxi Jaxx is a University of Tampa student and an amazing actress, so good in the part. And, yes, that’s her real name.
As a first-time parent, I’m always in rehearsal. I’ve always thought that being a wife was the best role ever. Of course, being a mom’s not so bad either. (In the Stageworks program for Sylvia, Kari includes in her bio that, “I married a Bowzer and we now have a puppy.”)
TNB: You have dogs. Do you incorporate any of their personalities or mannerisms into your Sylvia character?
Kari: When I did Sylvia last, I had geriatric dogs. Sadly, they are no longer with us. Now I have two younger dogs and have brought some of their traits into Sylvia’s character, as well as two dogs my family had while I was growing up. Luke was my childhood dog, an Irish Wolfhound. He had very interesting ways of getting your attention. I put a lot of Luke into Sylvia. Jethro, another family dog, was very loyal. I bring that aspect of him into Sylvia’s character.
The two dogs we have now, Abigail and Eleanor, are terrier mixes and they’re both nuts. When Sylvia acts up on stage, it is definitely Abigail and Eleanor. Abigail has a habit of bringing things to you that you don’t need, like snooping around inside my purse and bringing me my wallet. You cannot walk Eleanor without her wrapping her leash around your entire body. In the play, Greg uses a retractable leash with Sylvia. As a dog owner, I hate retractable leashes, so we really dork it up on stage, how awful those things are, and I completely wrap Greg up in the leash.
I found Eleanor under a truck outside the Straz Theatre a few years ago. She looks like a Chinese Crested with some Rat Terrier and Chihuahua. We adopted Abigail from the Humane Society of Tampa Bay. We had just lost our oldest dog whom I’d had for 15 years. I went through a short mourning period, but quickly realized, someone else needs a home, so we immediately set out to adopt another dog. She looks like a Corgi with some Pit Bull in her. She is a low rider with wirehair and gold eyes. Her behavior is all terrier, but the way she is with my kid, I absolutely know she has Pit in her. She is my nanny dog, such a good girl with Porter.
TNB:What are you bringing to the character in this production that is new from the last time you played Sylvia?
Kari: It’s the exact same cast from three years ago. We’re all very comfortable with each other and the play this time around, so we’ve discovered some subtle ways to bring new things into the play. I’ve always been a really physical comedian. I messed my body up in Sylvia last go around, so this time, I’m more aware of what my body should and shouldn’t do from an injury standpoint. I advocated for a harness this time, versus a regular collar. It was a happy day when my new harness arrived in wardrobe. Realizing the damage that can be done with a collar from my own personal experience as Sylvia, both of my dogs now wear harnesses.
I had Porter, my son, after the last production of Sylvia. He was a C section, so now I can completely and physically relate to Sylvia in the scene just after she has been spayed. When she says, “Oh my aching gut,” I get it.
As a responsible, committed artist, you do not do anything on stage to upstage your fellow actors. That is especially important to realize as the actress playing Sylvia. The audience watches and reacts to every move Sylvia makes. The last time I had to tone her down so as not to pull the focus away from the other actors, especially when that moment on stage is about their characters. I try to blend into the set during those scenes.
TNB: What is your favorite line you deliver in the play?
Kari: It’s a two part line. Three years ago, while doing the play, it was the only line that I had to be very careful delivering because it would give me the giggles. Greg is telling Sylvia that she is going to live with another family, and she is not happy. When he tells her that one of the three children is a baby, Sylvia responds:
‘I hate babies. Their mouths taste good, but they’re always stepping on your tail.’
I also have a lot of fun with the audience participation. There is a scene where Sylvia walks into the audience and sits on someone’s lap. It’s never planned. Honestly, I don’t know on whose lap I’m going to end up when I walk out there. During the last production of Sylvia, word got out and audience members started bringing treats to lure me to their laps. Cookies mostly. One guy brought me a glass of wine which I brought back on stage and worked into the play.
TNB: Did you hear that Matthew Broderick will play Greg in the upcoming Broadway premiere of Sylvia? Annaleigh Ashford will play Sylvia. The show officially opens on October 27.
Kari: Yes, and I am definitely going to see it. It’s kind of a weird family reunion of sorts since Sarah Jessica Parker played the original Sylvia in the very first production of the play. It never made it to Broadway. It makes me wonder if Sarah Jessica will growl at Matthew Broderick, her husband, with his Broadway opportunity and a chance to win another Tony, which she has never won. It makes me wonder, why, after all of these years, is there such an interest in the play, Sylvia?
For years, Sylvia was my worst kept secret. The script by A.R. Gurney is fantastic. My friends and family knew how much I always wanted to play the part and lobbied for it for years, to anyone who listened. Everyone just shook their heads no. ‘C’mon, it’s a play about a talking dog. No, we’re going to do something with a more profound subject, like war.’
I remember walking around in Publix when I received word that Stageworks was going to do the play. I was over the moon when I learned I would play the part of Sylvia. My dream had finally come true three years ago. And I’m so lucky to be able to play her again with such a great cast and crew.
Sylvia, by A.R. Gurney – Synopsis:
The play originally made its Off-Broadway debut in 1995 with Sarah Jessica Parker as Sylvia, and Blythe Danner and Charles Kimbrough as wife and husband, Kate and Greg. The middle-aged, upper-middle class couple are empty nesters in New York City. Kate is in a happy place with her life, but Greg is having a bit of a mid-life crisis. When Greg finds Sylvia, a stray in the park, he likes her and decides to bring her home. Kate reacts very negatively towards Sylvia and wants her gone. They agree to keep the dog for just a few days until they can decide whether or not she can stay longer. Over the next few days, Greg spends more and more time with Sylvia and less time at his job. They go on long walks together; discuss life and things like astronomy. The tension increases between the couple, with Greg becoming completely obsessed with Sylvia. Kate fears their marriage is falling apart. She and Sylvia are now at odds with one another, each committed to seeing the other defeated.
Greg and Kate visit a therapist, Leslie, who is ambiguously male and female depending on her patients’ state of mind. Eventually, Kate is asked to teach abroad, in London and tells Greg that there is a six-month quarantine for dogs coming into the country. Reluctantly he succumbs and gives the news to Sylvia that he must give her away, to a family who live on a farm. They have a heated and tender moment. Then, Kate and Sylvia say goodbye. Something happens, however, and Kate has a change of heart.
Reviews of the Off-Broadway show included this from Vincent Canby of The New York Times: “Dramatic literature is stuffed with memorable love scenes. But none is as immediately delicious and dizzy as the one that begins the redeeming love affair in A.R. Gurney’s new comedy, Sylvia. A delightful fantasy, but also a psychologically persuasive look at one man’s mid-life crisis.”
Adult content, language.
Sylvia, by A.R. Gurney
August 6 through 30, 2015
Stageworks Theatre, 1120 East Kennedy Boulevard, Tampa
Special thanks to Air Animal, major sponsor for Stageworks, making this production of Sylvia possible. Beneficiaries of the production include Humane Society of Tampa Bay, SPCA Florida and Frankie’s Friends.
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